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The independent and foreign film discussion group TalkAboutFilms talks about the film: Spring, Summer, Fall, Winter and Spring Addeddate 2006-06-15 10:09:55 Author TalkAboutFilms Copyright_holder Date_created 2006-06-14 External_metadata_update 2019-03-27T04:01:16Z Identifier Spring_Summer_Fall_Winter_and_Spring Is_clip No Mature_content Releasedate plus-circle Add Review comment Reviews There are no reviews yet. Be the first one to write a review.
15 wins & 8 nominations. See more awards » Edit Storyline In the midst of the Korean wilderness, a Buddhist master patiently raises a young boy to grow up in wisdom and compassion, through experience and endless exercises. Once the pupil discovers his sexual lust, he seems lost to contemplative life and follows his first love, but soon fails to adapt to the modern world, gets in jail for a crime of passion and returns to the master in search of spiritual redemption and reconciliation with karma, at a high price of physical catharsis... Written by KGF Vissers Plot Summary | Plot Synopsis Did You Know? Goofs When the young monk finishes inscribing the Heart Sutra on the floor and falls down exhausted, the inscriptions below him change between shots (even though he is lying motionless). In one shot, the inscriptions he is lying on have been painted; and as he wakes up, the paint is gone. See more » Quotes Old Monk: Lust awakens the desire to possess. And that awakens the intent to murder.
The old monk whips him finding the young man attempting suicide in front of the statue of Buddha. Old monk order him to etch the Pranja-parpamitasutra, meanwhile he finds peace in his heart. Winter - The monk, now in his full maturity retraces his steps to the abandoned hermitage in the mountains. A woman wearing a veil visits the hermitage with a baby. She leaves her baby behind and runs away and Spring - The old monk living with another child monk is having a peaceful time in the circle of life keeps on.
Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. Spring, Summer, Fall, Winter... and Spring (2003) Rated R 103 minutes about 14 hours ago about 15 hours 1 day ago
User Rating Current user rating: 87/100 (81 votes) You need to enable JavaScript to vote Profile Movie: Spring, Summer, Fall, Winter... and Spring Revised Romanization: Bom yeoreum gaeul gyeoul geurigo bom Hangul: 봄 여름 가을 겨울 그리고 봄 Director: Kim Ki-Duk Assistant Director: Jang Cheol-Soo Writer: Kim Ki-Duk Producer: Kim Sang-Geun, Lee Seung-Jae Cinematographer: Baek Dong-Hyeon Release Date: September 19, 2003 Runtime: 106 min Genre: Drama / Arthouse / Religion Country: South Korea Language: Korean Plot Spring - A child monk ties a stone to a back of fish. Same plight awaits a frog and a snake. The child monk roams the brook in search of the fish and the frog as his punishment allotted by the old monk. Summer - The monk is now 17 years old. To the lonely hermitage, a girl comes to convalesce. Before long, warm feelings towards the girl sprouts in the boy's heart. Their ripple in the water turns into an act of love. Fall - The boy returns to the hermitage in the mountains as a young man in his thirties after committing a murder.
The lake is surrounded on all sides by steep walls of forest or stone, broken here and there by ravines. It is approached through two large, painted wooden doors, which swing open to introduce each season of the movie, and frame the floating house. These doors do not keep anyone out, because one would only have to walk around them to find the rest of the shoreline open and free. But they are always respected. It is the same inside the house. The master and the boy sleep on pallets on either side of the room. At the foot of each sleeping area is a door. The area is otherwise open to the room, and always visible. But when the monk awakens the boy, he is careful to open the door and enter, instead of simply calling out to him or stepping around the door. Several people will occupy these sleeping spaces during the movie, and they will always treat the door as if it had a practical function … except sometimes. What do we learn from these doors that close nothing out or in? They are not symbols, I think, but lessons.
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